MySpace Blog from Sept.6 2006-Oct. 14 2006

(There were no posts between Oct. 14 and Dec. 11)

Wednesday, Sept. 6, 2006 11:52AM

Lucky news!

Well, not really related to the publishing efforts, and probably not interesting to most. It's another one of those things that affects me, personally, and thus affects the amount of time I have to work on my writing. I found out today that they made a mistake in explaining to us here at work about the severance package or "supplemental assistance pay". We were originally told that we had to apply for unemployment immediately upon leaving the company, and that for 10 weeks, our employer would pay us the difference between our current salaries and what the unemployment office paid. That would put us losing almost half our income just as Christmas rolled around. This is not entirely correct.

What will actually happen is, we will have 10 weeks' pay deposited for us in an account. Once we start our unemployment, we'll receive a check from our former employer for the difference in salaries. BUT, it's not limited to ten weeks, it's drawn out of the EQUIVALENT of ten weeks that's in that account. In other words, just to use round numbers, let's say they put in $5000 ($500 a week) for me, and my unemployment is $300 a week. My former employer will send me $200 a week to make up the difference until all $5000 is gone. That makes my $5K last 25 weeks instead of 10.

Now, I make more than $500 a week, so the amount that will be put in my account will be more. Unemployment is also more than $300 a week for me, so that changes the numbers as well. But when you do the math basing it on my salary and what I'll qualify for in unemployment, it comes out to 21 weeks pay. Another cool thing, BTW, is there's the possibility of a retention bonus from my current employer for staying through the end of the contract. They're nervous about that, since so many have already jumped ship right in the middle of transition. So there's another couple grand, cash up front. This all means, basically, if I draw unemployment for that long, I'll still be getting paid my current salary through the second week in February, AND I'll have a couple grand to blow on Christmas (or a new laptop for me hehehe)!!!

Vacation!!! LOL

My bet is, I can finish book two and have a VERY good start on book three in that amount of time. If I'm VERY lucky (OK, so it's not likely I will be, but a guy can dream) I'll have sold the first book by then! So hey, I guess it does have a bit to do with the publishing effort after all!

*sigh* Yeah, I know, nice dream. Chances are, I'll find a job within the first 8 to 10 weeks, in which case I'll stop getting the assistance pay altogether. But a 21 week vacation, with the checks still coming in? Sounds like a dream job to me. What this really does for me is make me not stress out so much about the fact that the new vendor that's coming in is one that I'm not really fond of, personally, at least not the management. I'm pretty sure they're not going to offer me a position within their new structure, so I'll definitely have to find something else.

And do I feel bad about mooching off my company, or the unemployment office, for so long? A friend of mine actually asked me that. He and his wife are DINKs(Double Income, No Kids), don't really have a clue about how a single parent has to live. He's the kind of guy who asks if I want to hit a bar on a Thursday night, and doesn't get it when I say no, it's a school night, I can't get out. LOL So, do I feel guilty? Not a chance! I've given almost six years of my life to this employer, not counting unpaid overtime and just altogether being treated like crap. I work for a company that, nationwide, has over 120,000 employees. I'm just a number, and not a very big one. The way I see it, they can afford to pay me for my trouble. And unemployment? I've been paying into unemployment insurance for almost ten years without having drawn any. That's what it's for. Yeah, I'll be trying to find a job, and I hope I do it quickly. But no, I won't have a bit of guilt drawing my unemployment checks till I find work. I've been paying other people's unemployment for ten years, after all, and I don't ask them to feel guilty or ashamed. ;-)

Friday, Sept. 8, 2006 11:09AM

Quicker than I expected

Well, I'm really rather surprised. I have sent out quite a few submission partials over the last couple of weeks, figuring it'd be at the earliest five or six weeks before I received my first rejection letter. This week, several of the queries I sent out were through e-mail submissions, and I figured I'd hear back from them first. And I was right.

I got my first response from an agent Wednesday, just hours after I'd sent the query. I sent to (an agent I won't name yet) a query letter, synopsis, and 14 sample pages from chapter four of my novel. And not only did I get a response within hours, the response was a request to read the full manuscript!!

Now, I've researched all the agents I sent to on Preditors and Editors, AAR, Writer Beware, and various other places on the WWW. They're all listed as reputable editors, worthy of sending your work to. I've also made sure that they not only handle the kind of work I've done, but that they have recent sales of this kind of work. I was surprised by the quick response, and that prompted me to research this company even more. Everything I've found about them says they do good work. Some of the clients on their client list are SF/F writers I recognize, and even some books I recognize, and they have multiple sales of the genre this year. They do handle new authors regularly. It all sounds very good. The agent that responded to me is a relatively new one with their firm, but not THAT new, so I think it's definitely a good sign!

The only thing that worried me was that they requested an exclusive reading of my novel, but that's pretty much standard, and I don't blame them. It would be unfair to them to spend three or four weeks evaluating a novel and deciding to represent it, only to find that the author had found representation elsewhere. So I replied that I was prepared to give them an exclusive for up to five weeks, after which if there was no agreement with them, I would be free to send my manuscript elsewhere. The agent agreed, and so she'll be exclusively reading my work for the next five weeks. (Not counting partials I've already sent out... none of which are more than 65 pages.)

So, how about that? Hopefully, even if this agent doesn't decide to represent me, I'll be given some further critiquing or at least a little insight on how to make the novel work better! I've been jumping up and down since I got the letter! LOL

Sunday, Sept. 10, 2006 3:13PM

OK, I've sent my manuscript off to the agent for a five week reading. But I need to ask a question here of the folks who have been out there doing this for a while. It's something I'm not really sure of, and it may be one of those silly things that screws me up in this process.

The agent asked me to send a bio along with my submission. Now, I would assume that the bio would be information about your qualifications as a writer, previous writing credits, etc. The problem is, I don't have any of those! Other than a brief major in college, I have no qualifications in creative writing. I have no previous published work, no college degree, have attended no writers' conferences, no awards, zilch.

So, that being the case, what should I have put in my bio? What is it that agents want to see? I settled for sending along a little "About the Author" blurb, the kind of thing you read in the back of a book, but I just don't think that's what was requested. Anybody have any input on this?

Wednesday, Sept. 13, 2006 8:06PM

Damn! I just spent twenty minutes typing a blog, and MySpace ate it before posting it.

I'm not going into as much detail this time.

I've been offered representation by Laurie McLean of the Larsen-Pomada Literary Agency. They are a small agency located in San Francisco. They also run the San Francisco Writer's Conference. They represent very little SF/F, but Laurie handles that primarily. I was taken aback by the quick response to my query, and the quick response to my manuscript, having expected a much longer wait. I was concerned Laurie might not have actually read my novel. She allayed my fears rather quickly. She was familiar with the book and the characters, and was able to point to parts of the manuscript that she especially liked and parts that might need work. She attributed her quick response to providence. She explained that a day or two before I sent my submission, she had been speaking with an editor about what types of things he was looking for. The editor listed young adult fantasy fiction geared toward boys... which my book fits. This was why she requested my manuscript so quickly. After reading it, she decided that whether the editor wanted it or not, she wanted to represent it.

I've done a fair bit of research on the agency, and have found that almost everyone who has anything to say about them is filled with praise. The only exceptions are a few people who weren't offered representation, and while they have valid concerns, they're not anything that would bother me too much.

So anyway. I got a good feeling from my conversation with Laurie. She seems competent and informed, and also seems quite excited about my novel and what she might be able to accomplish with it. I kept my ears open for any of the telltale signs that an agent is playing with you, and none were present. I have a couple more questions to ask her about their contract, and if she answers them to my satisfaction, I'm going to sign with them.

Yeah. I'm still in shock.

Anybody out there who's still reading my manuscript, I'm still very interested in your feedback. Just because I have probably found an agent doesn't mean I can't still make my book better... and my subsequent books as well!

Saturday, Sept. 16, 2006 9:34AM

It's official

I have an agent. I signed the agency agreement with Larsen-Pomada. My manuscript is currently in the hands of an editor who is actively in acquisition mode, which is an unusually lucky place to be. That means it's being read NOW as opposed to in several weeks when the editor gets around to it.

I'm new to all this, so I'm not entirely sure what this might mean for me, but Laurie assures me that it's a good thing. It could mean that I could have an answer (rejection or sale) within a couple of weeks, which is far sooner than I would have hoped. If it's rejected, subsequent submissions will probably take quite a bit longer; this is a special case, an editor who actively sought her out for new manuscripts and was excited by her pitch about mine.

I'm not getting my hopes up. I figure at best I have a 50/50 shot of being accepted on this go-round, and even that's probably overly optimistic. If it were to be accepted, it'd have to be some kind of record. June to September, from starting the outline to manuscript sale? LOL How often does that happen?!

Still, it's a first novel, a previously unpublished author with no writing credits to his name. It's easy to keep a level head when I look back and realize all the people out there who have been doing this far longer than me, and haven't made a sale yet. Doesn't keep me from being optimistic and hopeful, but I am definitely realistic about what the chances are this soon out of the gate. I'm just ecstatic that I have an agent, so I can settle down to the business of writing book 2 and leave to her the business of finding someone to sell them to. ;-)

Friday, Sept. 22, 2006 9:14AM

Out of Work Author

Well, not quite yet, but soon. Just thought I'd let everyone know that the vendor who is taking over PC support at our site has elected not to offer me a position. In fact, they've only offered a job to one of the people here, who is kind of a necessity because he handles the very specialized mainframe systems. So, next Friday I'll get my final bonus check, the following Friday I'll get my final paycheck, and then I'll be relying on unemployment and supplemental pay from my current employer to get through finding a new job. Like I said before, I have 5 months to find a job, so I'm not all that concerned. I'm actually pretty happy how things have turned out. Now I have to train the new guy in how to do my job, at least the parts that aren't self-explanatory. I've got a busy week coming. But hey, after next Friday, I don't have to spend a total of an hour and a half in my car every day. :-D

On a different note, I know I haven't posted any blogs lately about my novel or what's going on with it. That's because there hasn't been anything concrete to report, although there's been a little motion. Keep your fingers crossed for me, and I'll have some news up here within a week.

Thursday, Sept. 28, 2006 1:45PM

SOOOOO Close

Well, there's been a reason I haven't posted much over the last week or so. My novel was in the hands of Lyron Bennet, an associate editor at Sourcebooks for their new children's imprint. He loved the book, and so did his senior editor. I had a conference call with him and my agent last Friday in which I pitched the book, and two of the subsequent books in the series, and he was very excited about all three. He prepared a pitch for his acquisitions committee, which was scheduled for Wednesday of this week, and I didn't want to post any news about that until it had happened. I especially didn't want to get my hopes up.

Unfortunately, I just got the news today that the committee decided to pass on the book. They feel that the novel is too similar to one specific series out there, the Pendragon books, and while the tone and style are much different, they wanted something further distanced from things that might already be available from larger publishers. I'm told that Mr. Bennett argued my case for some time, pitching my book strongly as worthy competition for the Pendragon series, but they still elected to pass.

SOOOOO close. Undaunted, my agent is preparing a list of large publishing houses to submit to, and we'll skip past the almost-serendipitous miracle that we've missed out on and move back to the more traditional avenues of sending manuscripts and waiting interminably for them to be read. In the meantime, I need to decide if I want to concentrate more on revising book 1, or go ahead and get to work on finishing book 2. Or both. Between that, and the need to find a new job, things are going to be pretty busy for a while.

PS-- Yes, I'm disappointed. I'd hoped for the miracle here, who wouldn't? But as for why I'm not completely crushed after getting so close, Sourcebooks was THE FIRST PUBLISHER TO SEE MY MANUSCRIPT, PERIOD!! To have gotten THIS close on the first step out of the gate has been in and of itself a minor miracle, and then the reason they pass ISN'T because they don't like the story or the writing, but because someone else has already done something in a similar vein... well, it actually gives me a bit of hope and tells me maybe I'm pursuing the right business here.

Friday, Sept. 29, 2006 11:54AM

What a surreal day

I'm sitting here at work, at my remarkably clean desk, with a total sense of unreality. It's my last day. I've been working in the same place for almost six years now, and suddenly I'm faced with never coming back to this desk again, or answering this phone, or working at this computer. My co-workers and I are passing out contact information to each other to make sure we can keep in touch. My clients have all called or e-mailed to express various levels of disbelief, sadness, and outrage that I wasn't offered a position with the new vendor.

Little do they know that had I been offered such a position, I would have likely turned it down. Part of it is just that I feel it's time to move on. I don't feel that I'd be a good fit with the new company, and I don't feel the new company will be a boon to the clients here. But another part of it is simply the fact that I need some time off, and facing the challenges that are going to be hitting in the first few months under the new vendor doesn't appeal to me in the slightest. And the final part... the part that's the scariest... is that I'm ready to try something new. I want to concentrate on my newly rekindled love of the written word, and try to make a life of it.

Don't get me wrong... I'm no idiot. I am fully aware that 99% of the people who want to make a living as writers are unable to eke out even half of what I make a year as a computer technician. I'll certainly be looking for work before my severance package runs out. But I think a month or two off while I work on polishing my existing novel and finish up the second installment will be beneficial. And after coming so close to the miracle scenario, I actually feel a renewed sense of determination that I'll make it, and soon.

I have an idea for either a new novel, or some serialized short stories. It's a drastic departure from the Gatehouse series that I've been working on, which I absolutely refuse to abandon, but now that it's in my head I want to flesh it out and at least make some notes on it. I'm seriously considering doing it as short stories, maybe try and get them published so that I'll have some writing credits to my name. I'm also considering entering some short story or novel competitions... it's nice to be able to put "award winning author" before your name.

So as I sit here, with nothing to do, my desk cleaned out, my boxes packed, and tearful clients all wanting to take me to lunch on my last day, the only thing I can really wrap my brain around is the thought that after I lock up here tonight, I can get to my pen and paper and start the work that I truly want to be doing. It's a hard thing to leave a place you've considered home for as long as this place has been mine, but it's time, and I'll be better for it in the end.

Friday, Oct. 6, 2006 10:31AM

Well, here we go, I've been book tagged. The instructions are simple, and here they are:

1. Grab the nearest book.
2. Open the book to page 123.
3. Find the fifth sentence.
4. Post the text of the next 4 sentences on your MySpace Blog along with these instructions.
5. Don't you dare dig for that "cool" or "intellectual" book in your closet! I know you were thinking about it! Just pick up whatever is closest.
6. Tag five people

I thought I'd make it interesting. I'm going to play twice. I'm posting the passage from the book nearest to me, AND I'm posting a passage from my own book. So, if any of you wannabe authors like me out there want to add to the assignment with an excerpt from your own work, I'd love to see it! Here are my excerpts, and below them you'll find my tag list.

Dragonquest, by Anne McCaffrey:

There was no mark on her finger, but a red blotch appeared on the paper.

The smith chuckled raspingly.

"No harm in that stuff. It merely reacts to the acidity of your skin."

And my second post, from The Gatehouse: The Door to Canellin by E.H. Jones:

"He might be able to do magic here, but he's still just a kid. He's just a little boy that's never had to be scared of monsters or dragons or men with swords in his entire life. He's just a kid, and he shouldn't have to do this alone." Ryan shook his head, emotion welling up inside him.

Saturday, Oct. 14, 2006 1:28PM

Revise, revise, revise!

Well, I'm getting deeply involved in some revisions that my agent asked for, and I'm finding it slower going than I'd hoped. Not because I'm having writer's block, or because I don't know what the revisions need to be. It's because I seem to be busier now than I was when I was working!

Let me break it down for you. I've always been kind of a slob. My house is not only a wreck because of that, but because I've been doing a full one-man remodeling job on my house for over 2 years now. So in the two weeks I've been off work, I've been spending a lot of time trying to get my house cleaned up and liveable. I could stand the mess when I was only at home and awake for three or four hours a day at most. I'm now at my house and awake for around sixteen hours a day, and I can't take the mess, and the stacks of stored junk all over the place, and the unfinished projects, etc. Problem is, I'm a slow, unmotivated cleaner! But I'm getting things done, and that feels good.

Second, my son has been having some problems in school. Not with his test scores or understanding of the material, but with his attitude and willingness to do homework. One of the reasons I'm not that hot to find a job right now is that I'm hoping to be able to concentrate a lot of time and energy on getting him back on the right track. I've been volunteering at his school the past couple of weeks, meeting with his teachers, and then basically spending several hours a night working with him to get his homework caught up.

And finally, I've been dead sick for the past six days. Literally down and out. Bad flu, awful cough, congestion. I'm just now getting over it, but I've lost my voice. I've pretty much been asleep, drugged on Nyquil, for an entire week.

And finally, getting all the paperwork handled for my separation benefit and unemployment benefits has turned out to be something that takes about two hours a day.

So all these things are keeping me from getting my revisions worked out. Flimsy excuses? Yes. Real impediments? Yes. I've just got to find a way to work myself around them. I'm devoting the entire coming week to writing while my son is at school, 8am to 3pm. Scheduling my writing is going to be tough, because that's not how I've worked on this project so far. I've kind of just done it on the fly, every chance I could get to sit down and write. Now I'm having to schedule specific time to do it. But one way or another, I intend to have the book completely revised and delivered to my agent within the next two weeks. I hate the fact that I'm the one holding things back at the moment, keeping submissions from being made!

So... wish me luck, everyone!

MySpace Blogs from Dec. 11 2006-Feb. 24 2007


Monday, Dec. 11, 2006 7:42PM
Well, I've been MIA as far as MySpace is concerned for the past two months. Anybody miss me? It's been a rough couple of months, to be honest. I finished my revisions and sent them to my agent, but when I went back and read over them myself, I realized something. I didn't like the book anymore! The flow was all chopped to pieces, the book had gained 25 pages, and it just didn't feel right to me. I MUCH preferred the original version. Don't get me wrong, I liked the plot threads I added to flesh out one of the characters, and I believe the major scened that I added was well done. It just didn't feel right as a whole anymore. I'd killed all the magic in my story.

So, I arranged a conference call with my agent, and was gratified (and marginally horrified) to hear that she felt exactly the same way. We discussed the problem in depth, and she gave me some tips and ideas to try. I'm not happy with some of her ideas, and very happy with others. For one thing, she wants me to remove a plot thread that I think is very important, and very dramatic, something that was planned from the first inkling I had for the book. But she had some excellent insight for me into where the flow had been corrupted, and how to get it back without losing the new scenes. So I'll give it a shot.

Anyway, on a personal note, still out of work, still not that hot to find a job, but starting to feel the need. I guess I'm going to have to really pick up the pace soon and find some way to make some money before my unemployment runs out.


Tuesday, Feb. 6, 2007 1:37 AM
So I've been pretty lazy about keeping up my blog lately, and for those of you who enjoy reading it, I'm sorry about that. Things have been very busy for me in some ways the past few months, and very un-busy (ie, boring) in others.

My last blog tells you about the revisions I did on my first novel, and how much I hated them when I read them over. Well, I spent the entire month of December working on the problem (after spending all of November doing the revisions in the first place), and I finally got it to a point where I loved the story again. And, what's more important, I figured out what it was that was keeping me from revising well in the first place. I'm going to explain it here, because it really illustrates how finicky a person's mind can be when doing this kind of thing.

When I wrote this novel, my main characters were Eric (me) and Hal (my son). The novel was written specifically for my son, about my son, and as such is very close to my heart. However, one of the suggested (read: demanded) changes that not only my agent, but the editor at Sourcebooks, came up with was a name change for the two main characters. You see, my first name is Eric, and my middle name is Hal. Therefore, according to my agent and verified by the editor that almost bought the book, no agent will buy it if those two character names are set in stone. I had to be willing to change the names. So my son and I discussed it, and we picked new names for our characters. Ryan (me) and Wes (my son).
And then, I began the process of revising. And as I've already mentioned, it was hard, and the finished product was... less than pleasing.

Why, you ask? Because I don't care about Ryan and Wes. Not even a little bit. In my mind, the heroes of the book were Eric and Hal. Ryan and Wes were just these guys that got tossed in at the last minute.

So, why does that matter? The characters are the same. Their personalities didn't change, nor did their actions throughout the book. And yet I found it incredibly difficult to write dialogue, actions, emotions, anything at all for Ryan and Wes, and still make it believable.

My solution was simple, in the end. I changed Ryan and Wes back to Eric and Hal. I then worked on revising my revisions, and lo and behold, it all came together. I was able to see the flaws in the story's flow and pacing, and the emotions of the characters began to jump out at me again. I was finally able to feel my story. So I made my revisions, read through the book a few times to make sure everything worked, and then did a find and replace (ain't word processors great?) and changed the names to Ryan and Wes. Sent the book off to my agent, who sent back a very short list of easily managed typo corrections, and bam! It was finished.

It's strange how something so tiny can make such a huge difference in my ability to write a story, but there it is. After I figured all this out, I went back and looked over the work I'd done on book 2 and realized a lot of it wasn't going as well as I wanted, either. I tossed out 2/3 of what I'd written, changed the names to Eric and Hal, and started writing again. And after a month, I'm 40,000 words into what I plan on being an 80,000-90,000 word sequel.

So let that be a lesson to all the other hopefuls out there, like me. If you're stumbling, look closely. There may be something as simple as a name holding you back from having a solid connection with your characters. And no matter whether you KNOW it's something that has to be changed if it's ever going to get published, do what you have to do to make the story work for you. You can always go back and change it after you've got the story down the way you want it.


Thursday, Feb. 6, 2007 11:47AM
OK, last night I posted a blog detailing one of the big problems I had with revising my first novel. But I almost forgot to mention something funny that happened as a result of all the name changing back and forth that I did!

There exist several copies of my first book that I printed up for family as Christmas presents. It was a rush job, thrown together at the last minute. And the only finished version of the story I had ready at the time was the original first draft, before I'd done any of those major revisions. Problem is, the only copy of it I could find had the names Ryan and Wes that I'd used find and replace to change, and I wanted them to read it with the names Eric and Hal. No biggie, right? I just did the old find replace again, match case, match whole words, and Wes becomes Hal, Ryan becomes Eric, and I'm finished.

Except that the first time I'd changed the names, I had made a slight mistake. I didn't match case, and I didn't match whole words when I replaced Hal with Wes. So after I had these printed up, my brother's reading the book, and he calls me up on the phone to ask... what's a wesl?

Umm... excuse me?

In the book, suddenly this castle that the heroes spend some time in has a Great Wesl. He thought maybe it was a word he was unfamiliar with. It took me a few minutes to figure out where I'd screwed up. The castle has a great HALL. Hal had been replaced with Wes in that word. And in fact, in several places throughout the book when a character happens to be walking down a hallway, it's a wesl.

And it's not just hall that took a hit. There are several more lines that come out ridiculously funny because of this exact mistake. Another is a spot where several characters pass through a guard station. As they approach, the guard says, "West and identify yourself!" instead of halt.

So after everything I said last night about doing whatever you have to do to make sure you can write your story, I have to add this caveat: BE CAREFUL! If you write something a certain way intending to change it for the final version, especially with something like the find and replace function in your word processor, do it with extreme caution. Those mistakes don't exist in the copies I sent to my agent, thank god, but they very easily could have. And they pull you out of the story when they appear. And if an editor is reading your book, considering it for publication, the last thing you want is for something, anything at all, to pull them out of the story.

Thursday, Feb. 8, 2007 3:35PM
I'm at a serious standstill. You see, as I mentioned before, I threw away a lot of the text I'd written previously for my second book. I then went back to outline and started fleshing some things out, and am now back past the point where I tossed so much out before.

However, there was a major subplot that was supposed to come in right about where I am in the writing. I've been working on it for the past few days, and it's just NOT WORKING. Not just that I can't get the ideas I had onto paper, but the subplot itself doesn't work with how I see the final draft of the book. So I've tossed it out, too.

Unfortunately, that leaves me with a HUGE void right in the middle of my novel. I could move on and go with the stuff that IS working, but then I don't have enough material for over, say, 60K words, and the book feels incomplete. So I'm wracking my brain with how to expand earlier sections, or expand what I've got left to write, OR come up something to replace what I got rid of. And ya' know what? I got nothin'.

So, for the first time since I got back into writing heavily almost a year ago, I'm blocked. It's going to take some serious slogging to get past this. So what I'm going to do is write the end, and then work toward the point where I'm stalled.

This is my last post for the week, most likely. I need to spend the next few days re-vamping my outline and working backwards to bring it all together. Once I get past this, I'll post some (hopefully) insightful comments about my methods for defeating the evil monster known as writer's block!


Saturday, Feb. 10, 2007 9:22PM
Writer's block is no match for me! And I'll tell you what, when I get past it, I REALLY get past it. I've always been a fast writer, averaging around two to four thousand words a day when I'm on a decent groove. But it all came to me last night, and I sat down and worked out the final points of my outline, bringing everything together and working out all the details. I sat down today, and wrote pretty much solid from 10AM to 9:30 at night, breaking only for a couple of meals, and I'm blasting through it. I've put together a solid 8,000 words, and have the rest of my novel mapped out from here to the end. If I can keep this groove (and I'm not stopping now, just taking a break to post this blog), I'll have a finished first draft of an 80,000 word novel by the end of the week.

Now, that's not to say I'll be finished, not by any means. First draft means just that. I'll then print out a copy of the book and pore through it for grammatical errors, misspellings, poor word choices, etc. I'll also read for content and make sure the story flows the way I want it to. Then I'll pass the book off to my faithful proofreaders (sister, brother, son, and sister) and start cracking the whip to get them to give me marked up pages ASAP. Once I've gone through their notes and made any changes they might suggest that seem relevant, it'll be off to my agent to have her read through and give me a professional opinion. If all goes well, she should have my final draft in her hands by the end of the month. And assuming she gets her suggestions back to me within a week or so, and assuming the editing goes better than it did in my last novel, she should be able to start adding the second book to her pitches shortly after that.

Wish me luck, everyone!


Friday, Feb. 16, 2007 10:12 PM
Finished! Finito! QED! 30!
The first draft of The Gatehouse, Book 2: The Door to Justice is finished!
One draft down, five or ten to go! I just finished typing the last word earlier tonight, printed it out, and I've spent the last couple of hours poring over it with a fine toothed comb and a red pen. I'm about a third of the way through the first once-over, and have made some notes, but there's not much in the first half of the book that I think will need to be changed. There's some stuff in the last half that will need some tweaking, but that's to be expected. I just hope I don't end up screwing up and adding too much length to the book.

In other words, I'm pushing it on word count again. See, I made a mistake on the first book, I think I mentioned it in an earlier blog. Not really a mistake, I guess, since I only used the number of words I needed to to tell the story I wanted. I ended up, after all my revisions, with a 114,000 word novel, down from the original 125,000 words. (That's MS Word's tally. Figuring it up like publishers often do, 250 words a page at 12 point courier font, it comes closer to 150,000 words.) This for a book that's aiming at middle grade readers. That means it's kind of long. My agent assures me that if a publisher likes the book, it won't matter how long it is, and my earlier close call backs her up. But it still makes me nervous about my chances.

Well, here I am finishing up book two, which I had planned to be around 80,000 words. And I came pretty close to that mark. 75,000 words by Microsoft's tally, almost 90,000 by the standard industry tally. But I feel like there were some passages that might have been rushed at the end, and need to be expanded. I also feel like there's a character in there that will really appeal to the target audience, but he doesn't get enough face time. So I need to add a few scenes. If I expand all the things I felt were rushed, AND add more scenes for this character, I may end up pushing the 100K mark again. That's something I want to avoid. I don't want the publishers who see these two books together to get the idea that I'm a "wordy" author. Although apparently I am.

Anyway, I'm not really all that concerned or obsessing about it. I've already looked at the idea of splitting book one in half. It reads really well that way, with a complete story in each half of the book, and comes out at exactly the word length for my target. My agent isn't very receptive to that idea; she says that publishers will want to see the entire story, plot, and subplot resolved in one book, since I'm an unproven, unpublished author. But if it comes down to it, I can make book one easily turn into two separate books, the perfect length, and make them read like they were always meant to be that way. They almost do that now. I just need to watch my word count for book two, and not let myself get carried away.

So, anyway, my next step is to finish marking up my manuscript, and then hand it over to a couple of proofreaders and see what they make of it. I'll be cracking the whip to get them to finish within the next week, and then it's time to send it off to my agent for her opinion. I'm very excited about the process of finishing this up. It'll look very good for me if my agent can say to potential publishers, "Oh, yeah, he's finished the first two books in the series already, and is redy to start on the third."

So, wish me luck! I hope to have some news to report on the submission front very soon!


Sunday, Feb. 18, 2007 8:35PM
Anybody have any job leads for an out of work computer techncian/wannabe writer?
I'm only moderately serious. It's getting along about the time where I need to find work. Only about 7 weeks of unemployment left.

On a positive note, I just sent my resume in on a job listing here in the town where I live. It's a PC tech support job, and I meet the qualifications exactly. It's through a temp agency, but it's a temp to perm job, and it pays right at what I used to make. Plus, it's only a couple of miles from my home. Wish me luck!

OK, I'm going to repeat a question I sent out in my bulletin. I'm searching for a graphic artist that wants to add to his or her portfolio and do me a favor at the same time. I'm looking to get the Gatehouse website off the ground, and I need some good artwork for it. And I admit, I'm completely inept when it comes to creating the kind of artwork I want. I can't pay for the work, obviously, but I am hoping to find someone who likes the subject matter (fantasy, magic, dragons) enough to find the project enticing. What I want is someone to illustrate three or four scenes from my novel, and allow me the right to put them up on the website. The artist would, of course, keep all rights to the work... all I want is to be allowed to decorate the Gatehouse homepage with them for the time being. Full credit will be given to the artist. I know, I know, I'm asking a lot, but hey, I figured it couldn't hurt to take a shot.

Thursday, Feb. 22, 11:19PM

My son brought something to my attention after reading my second book. He pointed out that neither of my books have chapter titles, and that's something he likes to see. I never really paid much attention to it when reading, but I thought it over and figured it might be fun to try and boil down the many things that happen in a chapter to a few memorable words.

As I've done at every step of the whole writing process, I turned to the Internet's huge online writing support community for help. However, unlike my attempts to find remedies for writer's block or tips on tightening prose, I found the Internet to be completely dry when it comes to helpful hints on naming your chapters. I may not have been using the right search methods, but I came up empty.

Not to be deterred, I decided to come up with my own guidelines for naming the chapters of my novels. I came up with the following important factors that a chapter title must have:
1. The title must have something to do with the events that occur within the chapter.
2. The title must have the same emotional feel as the events in the chapter. For instance, if your focus in the chapter is very serious or deep, don't go with a humorous chapter title or vice versa. If you have both serious aspects and humorous aspects to a chapter, then I guess your title should be seriously humorous.
3. The title must be simple and easy to read. Under no circumstances should a title be a full sentence. Unless, of course, a full sentence suits the chapter better, or a complicated obscure quote catches your fancy and fits.
4. The title must entice the reader to want to know how it relates. The last thing I want is for the reader to look at the chapter title, read the chapter, and go, "What the...?" Unless, of course, that's the effect I'm going for.
5. The title doesn't necessarily have to relate to the main event in the chapter. You are often better served by focusing on a lesser event. Then again, a chapter titled "Where's the beef?" in which the heroes fight a tremendous, pages-long battle with the villain, but are later served chicken for dinner when they asked for roast beef... well, that would just be silly.

Okay, so my guidelines kind of suck. I was flying solo here!
And so, without further adieu, the tables of contents for my first two novels!

The Gatehouse
Book 1: The Door to Canellin
Chapter 1: Enter the Hero
Chapter 2: Amazing Discoveries
Chapter 3: Of Wizards and Doorways
Chapter 4: A Father's Anger
Chapter 5: Finding the Words
Chapter 6: The Hero's Resolve
Chapter 7: The Great Stone Caper
Chapter 8: Riding the Maelstrom
Chapter 9: A New Addition
Chapter 10: The Dragon's Thrall
Chapter 11: Long Arm of the Law
Chapter 12: Jailbreak
Chapter 13: Getting Reacquainted
Chapter 14: The Villain Strikes
Chapter 15: The Crystal Cavern
Chapter 16: The Prodigal Son
Chapter 17: Dragon's Ascent
Chapter 18: Homecoming

Book 2: The Door to Justice
Chapter 1: All in the Family
Chapter 2: Recent History Lessons
Chapter 3: Reunions
Chapter 4: A Wolf in the Fold
Chapter 5: Trading Places
Chapter 6: Memories
Chapter 7: An Unexpected Ally
Chapter 8: Debacle
Chapter 9: The Best Laid Plans
Chapter 10: Reckless Behavior (or Incorrigible Behavior)
Chapter 11: Growing Suspicions (or Suspicions Confirmed) (or Atrocities) (or Confirming Suspicions)
Chapter 12: Daring Rescues
Chapter 13: Duplicity
Chapter 14: A Death in the Family
Chapter 15: Little Demons and Giant Robots
Chapter 16: Fallen Heroes

Well, what do you think? Make you want to read the books?


Saturday, Feb. 24, 2007 11:39PM
Evolution of a series
Sometimes, new ideas intrude on your plans, and you just have to explore them. These ideas sometimes turn out to be crap, but sometimes they turn out to be too tempting to let go of.

And that happened to me tonight. I had planned out The Gatehouse series at five books, with the possibility for more down the road. But I had a brainstorm today, which led to a re-evaluation tonight. The Gatehouse is almost designed to cross genre. The first book is a semi-epic fantasy in a sword and sorcery world. The second book is a superhero romp with plenty of action, humor, and a cast of... lots and lots. Then the third, fourth, and fifth books were intended to go into the larger aspects of the story and culminate in a back-to-the-beginning finale. However, in doing that, I've only explored two of the possible genre available to me. The more I thought about it, the more that seemed to be a waste. What about horror? What about sci-fi? What about fantasy in a modern setting? What about supernatural thrillers, ghost stories, or any of the multitude of other settings available?

And then my brainstorm linked itself to one that I'd had earlier this week. A minor (VERY minor) character from the first book had the potential to become a recurring villain, but there was no way to fit it into the 5-book plan I'd had. But why was I so set on this 5-book plan? Or even a 6, or 7-book plan? There are hundreds, thousands of possibilities that can be explored. Why set everythig in stone so soon?

So book three, four, and five have now, in my mind, become books third to last, second to last, and last, because there are too many possibilities in between that I may decide to explore in the future. Book three, the new book three, will be a gothic horror novel with lots of magic, monsters, and danger. Book four may or may not be a sci-fi novel, I haven't decided yet. And book five, well, I am now refusing to allow myself to plan that far ahead. Book five may be the previous book three, or I may decide to explore another genre. Who knows? Stories evolve as you write them. So do novels, no matter how much you outline. So why not series as well?

Moving my old blog

It's moving day!
So far, blogger's help hasn't been much help at all in getting my old blog moved over here. You'd think they'd be more hip to the idea, because some blog authors might be hesitant to move and lose all their old posts. I can find no automated way to do it. So I'm going to be cutting and pasting my old blogs (more than six months' worth!) from MySpace to my blogspot address. I hope that once I finish, I can archive the posts. I'm going to try and put them all in one post, with the original posted date on them, to keep all my old blogs in a handy spot. If it doesn't work... well, let's just hope it does.

I'm going to put my old blog in reverse order (oldest post first, newest post last) to make it easier for people who want to look back and catch up to do so.

Trying out a new home

Greetings, one and all, and welcome to my new blog home. For those of you who aren't familiar with me from my previous blog over on Myspace (which I have not abandoned, don't worry), I am an aspiring author with great aspirations. I have, to date, written the first two novels (or three; the first book is a tad long) in a series of books titled The Gatehouse, a fantasy series crossing over between middle grade and young adult readers, and adult readers who enjoy a good story. Yes, I have found a reputable agent (i.e. doesn't charge me, but takes a percentage of the sale, and is part of an established and respected agency), and I even had a VERY close call with publication a very short time after completing the first draft of the first book in the series. Details of that are in my old blog (more on that later).

What you will find here will be interesting to some, boring to many, and enlightening and entertaining to a very few. Don't let that scare you off; there will, I hope, be quite a bit of useful information found here. What I will be doing is detailing my experiences with writing my novels, the process of (hopefully) getting them published, and if (no, no, WHEN) that happens, the process of marketing my novels and developing a readership. What you will NOT find here is a lot of shameless self promotion. Notice I said a lot; there will, of course, be a little, particularly once I find a home for my books.

In the meantime, I'm looking for a way to move all of my old blogs from Myspace over here in an archive. If anyone knows how to do that without laboriously cutting and pasting, please let me know. I'd really like to get them moved, because there is a great deal of information there regarding the trials and tribulations I've gone through in the writing game thus far.